Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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unknow artist
Seascape, boats, ships and warships. 125

ID: 47230

unknow artist Seascape, boats, ships and warships. 125
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unknow artist Seascape, boats, ships and warships. 125


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unknow artist

  Related Paintings of unknow artist :. | Prise du palais des Tuileries | European city landscape, street landsacpe, construction, frontstore, building and architecture. 204 | Arab or Arabic people and life. Orientalism oil paintings 63 | Portrait des jungen William Charles Knoop | Portrait of a Nobleman |
Related Artists:
William Strutt
English Painter, ca.1825-1915 was an English artist. Strutt was born in Teignmouth, Devon, England, and came from a family of artists, his grandfather, Joseph Strutt, was a well-known author and artist, his father, William Thomas Strutt, was a good miniature painter. William Strutt enjoyed a student life in Paris, France, and England, studying figurative and history painting. In response to a near-breakdown and problems with his eyes, Strutt decided to visit Australia, arriving 5 July 1850 on the Culloden, where he then married. In Melbourne, Strutt found employment as an illustrator on the short-lived Illustrated Australian Magazine, published by Thomas Ham, as there was little demand for the figurative and history paintings for which he was trained. Some of his designs did, however, lead to commissions, including a design for a new postage stamp, and an Anti-Transportation League card. Despite the lack of interest for major history paintings in Melbourne, Strutt continued to sketch suitable subjects, including the "Black Thursday" bushfires, which swept over the colony on 6 February 1851. It was from these sketches that Strutt composed one of his most notable paintings some 10 years later, Black Thursday, February 6th. 1851, 1864, which depicted animals and men fleeing from the fire. In February 1852, Strutt joined the growing tide of men travelling to the gold-fields surrounding Ballarat, Victoria. Despite working in the gold fields for eighteen months he found little success. He returned to Melbourne in mid-1853 and became actively involved in the city's cultural scene, undertaking a number of portrait commissions and joining the Victorian Society of Fine Arts as a founding member. William Strutt, Portrait of John Pascoe Fawkner, founder of Melbourne, 1856: oil on canvas; 61.3 x 51.2 cm. National Library of Australia.Strutt's interest in depicting the notable events of the colony was piqued by the events surrounding the Victorian Exploring Expedition led by Burke and Wills in 1860-61. He made several studies of their preparations at Royal Park, Melbourne, and followed the expedition to its first camp at Essendon, Victoria. Strutt also collected first-hand accounts from the rescue party and from John King,
Johannes Hubertus Leonardus de Haas
(25 March 1832 - 4 August 1908) was a Dutch animal and landscape painter, and a peripheral figure of the Hague School. Born at Hedel, De Haas spend his youth in Amsterdam where he got his first art education at evening-classes at the Koninklijke Academie. Consequently he moved to Haarlem where he was apprenticed to the artist Pieter Frederik van Os. During his stay in Haarlem he befriended Paul Gabriël and Hendrik Dirk Kruseman Van Elten who were also studying with Van Os. In 1853, together with his two friends, De Haas decided to go to Oosterbeek. Here they came into contact with the influential landscape painter Johannes Warnardus Bilders and the group of painters which had gathered around him, many of whom would later be part of the Hague School. De Haas also met his future wife in Oosterbeek, Bilders' daughter, Caroline. In 1855 he received good reviews for his pictures that were exhibited in Paris from the noted art critic Jean Baptiste Gustave Planche. In 1857 De Haas first went to Brussels, where he became friends with Willem Roelofs. De Haas frequently returned to the Netherlands and Oosterbeek for inspiration and Caroline. From 1860 his friend Gabriël also lived in Brussels, and De Haas often painted cattle in the landscapes of both Roelofs and Gabriel, fitting in perfectly with both their styles. In 1860 he won the gold medal at the exhibition of Utrecht. From 1861 until 1869 De Haas is permanently settled in Brussels, painting mainly on the coasts of Flanders and Picardie in northern France. He married Caroline Bilders in 1862, and in 1864 they are briefly joined by her brother, the promising painter Gerard Bilders. In 1865 Caroline dies at the age of 24 of tuberculosis, leaving him with a young son. During his stay in Brussels De Haas is instrumental in passing on the style of the Barbizon school to the painters at Oosterbeek.
Luca di Tomme
Italian Painter, ca.1330-1390






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